4 social media tactics that club promoters use on Facebook

I think nightclub promoters were one of the first groups of people to really get Facebook and how to make it work to benefit them. It is always good to watch how they are communicating with their fans. The following are four things that I would ensure I did if I was setting up a club night.

1. Set up as groups
It always surprised me that you could never set up events from Pages and invite all the members. For this reason it is better for promoters and club nights to set up a group so they can send out a mass invitation to all of their followers/fans.

2. Give away a sample
Halfway Crooks puts on a hip hop night in Sydney, in the lead up to their night they give away a free online mix of hip hop, a great way of getting back in contact with your attendees.

3. Latch onto a bigger brand
Some cunning promoters in Melbourne have set up Party Club for all of the universities in Melbourne. They are then running events which look like official parties off the back end of them.

4. Photos afterwards
Quite simple, but adding photos afterwards and tagging people in those photos works well for gaining attention for club nights.

Good content is not always good content

There is a big difference between watching a piece of content on television and online (Youtube for this case in point). Therefore you must make content for the medium, content producers must understand the difference.

The two differences are the mindframe of the audience and the context of the content.

Mindframe of the audience
Your audience is active when they are online, when they are watching television they are quite happy to sit on a couch for 60 minutes and not do anything except light a bewg and watch CSI.

However online they have many more distractions and they're not used to watching content for longer than 3 minutes. One of the leading online content creators in this country 'Community Channel' has worked to decrease the time of her videos realsing the audience has less time to watch.

Context of the content
Content is also placed in two different environments, online it has a title and description of what is happening in the video, there is also related content sitting there waiting to distract you. It would be the equivalent of watching television on a screen that lets you see what is on all the other channels at once. I do not know many people who watch television like this.

Some examples of Good Content which is not always good content

The Wire – would you watch this online for an hour NO, would you sit back on the couch and watch the whole of season 3 on a Sunday afternoon, YES
Would you watch this online? YES would you watch it in show for 30 minutes of similar footage? According to Australia probably not, until Funniest Home Videos it would be safe to assume that this Australians do not always want to see this type of content on television.

Thanks three billion for making me pen my thoughts

The Algorithm of a Meme

The last post I talked about the different components of a meme (Stimulus, Conductor and Pushers).

Pick Up of a Meme = (Amount of influence of conductor and pushers) + (the relevance of the idea to the individual)

The chance to be influenced by the meme is ditacted by two components – how influential the conductor and pushers are to you and your network and the strength of the stimulus.

For instance, I automatically latched onto the idea of The Awkward Lean and was a massive fan, my friends has also become pushers of the idea.


JTL – the idea was not as strong but the people pushing the idea had been on a lot of past memes that were good so I gave it an opportunity.

For more good meme related reading check out Kripy's post on A meme with a difference

The Internet is ripe for the memes

So there have been a few micro-memes popping up over the past week that I have noticed.

1. Yeah_lad – A Twitter account that is set up to imitate the lads of the western suburbs of Sydney.
2. The Awkward Lean – A tumblr picking up on the insight of girls who awkwardly lean their body or head in photos
3. Ask JTL – One guy who will answer any question, with straight down the line answers

A meme needs three important components to be created and nurtured.

Stimulus – An idea that is remixed with a common theme tying all the pieces of content together.

Conductor – The conductor is the person who controls the idea who can help dictate the direction of the meme.

Pushers – Are the support networks to the conductor who help to promote the idea through their network to help get the idea/meme out there.

I think subconsciously, people understand their roles in helping to push memes and making sure that they get the best opportunity to flourish.

In my opinion, Twitter is better at pushing memes because updating your network with a tweet about memes can be done more than once whereas on Facebook people would be less inclined to update their community more than once about a meme.

The 5 best flash mobs of all time

Being less than 10 years old a lot of people are suggesting flash mobs are dead but after the weekend it is evident that there is still a chance to go bigger and better.

5. Valentines Day Pillow fight
One of the earliest flash mobs recorded to Youtube back in 2006 in San Francisco.


4. The T Mobile Dance
The first brand to nail a Flash Mob, it is also one of the most successful viral videos on Youtube at the moment


3. Improv Everywhere
This put the group Improv Everywhere on the map, it was also one of the first flash mobs to get real mainstream success in early 2008, it now has over 21 million views


2. Black Eyed Peas and Oprah
The biggest flash mob of 2010, they added another layer by including a band in BEP. It is amazing the sheer size of this dance.


1. Eurovision 2010
Marek pointed me in the direction of this video on the weekend. My jaw dropped as I thought about the amount of pre-production that would of have gone into creating this.

The remote audience

Something that I didn’t think much about before I began at TCO was the remote audience. The remote audience are the people who do not attend an event but view the event through media at a later stage. An important part of event amplification.

One of the best examples I saw of this was Diet Coke's Real Woman. It was before my time at TCO. They were tasked with filming the Rosemount Fashion Week for Diet Coke, instead of just filming the event they chose to create a story out of the event - 'Real Woman (watch the 2min video here)'. They found a girl of the street and made her into a catwalk model for one day. A more compelling story for the remote audience.

Another good example is Dr.Pepper's Chatroulette Cheerleader - (Zac has a good post on short term activity too)


Have you seen any other good examples of content for a remote experience?

Event Amplification Online - Case Study - Alienware Clan Challenge

So one of the projects that I have worked on recently is the Dell Alienware Clan Challenge. It is a great example of taking an offline event which has a rich experience for a small number people and using online to help amplify it to the masses.

The Conscience Organisation and MediaCom Sydney organised and ran the Alienware Clan Challenge 2010 which saw the best Australian Call of Duty players congregate in Sydney to battle it out.


Off the back of this we created a highlights reel of the event. We put a content distribution strategy in place and had a great result of getting the video to the third most viewed clip in Australia (April 29th) and most viewed Australian Gaming video (Daily and Weekly). It has currently had over 60,000 views and is increasing by the day.